This land is my land
A fine June evening and the mist had begun to gather across the moorland. Glastonbury Tor is no more than a blur in the darkness. Shades of green fill the landscape, a multiplicity of smaller farms absorbed into a handful of large holdings. It is easy to forget how warm southern England has become, the balmy atmosphere makes it pleasant to sit on a bench in the village pound in a gentle breeze.
The village pound, the place of enclosure of stray animals, perhaps it was an appropriate place in which to sit. Thirty-four years astray from the village, there is still a sense of something indefinable, a sense of connectedness.
It is fifty years since we moved to this place. It was not a move that was wanted, not a move that I wanted, anyway. Three or four miles from the home farm, when you are six years old, it might as well have been thirty or forty. Life would never be the same as it had been in those early years on the farm, the world had changed forever.
Technically, I only lived in this village for sixteen years, 1967-1983, but emotionally it has remained home, chiefly, because of then presence here of my parents. There has always been something deeper, though, a sense of belonging that is almost visceral in nature, an awareness that there is in this sprinkling of villages a physical sense of security, a sense of assurance that all is well.
There is among many Irish people a tendency to make pejorative comments about the English, sometimes people will pass comment without even being aware of my presence beside them. In former times, when being a more combative sort of person, I would ask them to identify the village in Ireland they thought most attractive and tell them I could name fifty in Somerset that were prettier. Now, I let the comments pass and think of the places familiar from childhood days (trying to name fifty Somerset villages would be a challenge).
My land is a place unknown to most to whom I talk. Looking across the moor toward the Tor, Glastonbury is the only placename with which most people would be familiar, and that because of the eponymous pop festival, which is not at the town of Glastonbury at all, but in a village beyond the Tor called Pilton. This land is a timeless land where, if there were stones that could talk, they would tell of generations of yeoman farmers and children continuing in the place of their forebears. This land is a place of unremarked beauty, a place where a lifetime would be too short to learn all of its secrets. This land needs no stray animal sitting in the village pound to tell it what it knows itself.
A lovely image.
I don’t think Irish people belittle the English landscape out of malice but more from what they are used too. When I lived in the UK, and ventured out of London, the thing that struck me was the sheer distances one had to travel to see a mountain. And while people I knew would wax lyrical about the Ridgeway landscape around Wantage or the expanses of Norfolk I would be lifting my eyes to see a mountain. A bit like when returning from Dublin on the M9 and you take that weird veer towards Mt Leinster you know you are almost home. Oddly you don’t see any going to Dublin. But when you see Slievenamon, bingo.
On the pretty towns argument. Yes, I would say many are very pretty in the south of England. This stems largely from having the benefit of being designed by the local magnet sometime after 1700. And here in Ireland when this occurred like in Westport, Bantry, Strokestown, Doneraile and Maynooth there’s a tedious similarity that makes one suspect they all came off the one plan with adjustments only for geography. But in general Ireland’s villages and towns are as a result of a Marcher social structure.
One of the things I can’t fathom about your area is how, given the number of Roman Villas south of you, Alfred managed to exist on Athelney behind on what amounted to an island or series of islands cut off behind miles of marches and open water. Which remained so, in some cases, until the 1960s.
Have a good trip.
The visual impact also owes much to the wealth of former times. The prosperous medieval towns and villages of southern France and Italy would put my home county in the shade. It is extraordinary to look at some of the pictures of some of the architecture of Renaissance Italy.
We had a wonderful villa in our own parish, the mosaic floor from Low Ham being a centrepiece in the county museum. Alfred retreated deep into the levels, the floods of 2014 giving a clue as to how isolated his refuge might have been.